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Even Gwen’s work with mummified bodies opens the door for an extended gag about a preserved part of the male anatomy. Equally self-indulgent, Frank badgers Bertram by modifying the doctor’s last name into a crude nickname that he repeats throughout the film. Unfortunately, many of these insights are marred by short, but often glaring, instances of language, violence and sexual innuendo that include two uses of a strong, sexual expletive along with a surplus of other profanities, vulgarities and jokes aimed at ethnic and religious sects. There are also poignant moments as Bertram’s perspective of others broadens and he begins to recognize the depth of hurt both the living and the dead can carry around. Still, they do make for laugh-out-loud situations as the graceless doc does his best to turn on whatever smidgen of caustic charm he can muster. But when he discovers Gwen is the downstairs neighbor he formerly spurned, his socially awkward attempts to befriend her begin to resemble that of a clumsy adolescent.
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Hoping to free himself from the pesky phantoms, Bertram finally agrees to help Frank. Now the disembodied adulterous husband is trying to stop the upcoming marriage of his widow, Gwen (Tea Leoni), to another man. Frank Herlihy (Greg Kinnear), it seems, narrowly sidestepped one meeting with death only to be smashed (in a quick but rather shocking on-screen impact) by a speeding bus. Avoiding eye contact whenever possible, Bertram is openly irritated by one ghost’s especially passionate plea for help. Regrettably, Bertram is too consumed by the private purgatory he’s created for himself to even begin to think of another’s afflictions.Įquating personal interactions to a pestilence, Bertram shuns the kindnesses of others, does all he can to alienate his neighbors and dismisses basic human courtesies. Now privy to both sides of the life spectrum, the cantankerous, self-centered dentist is hounded by these trapped spirits eager to tie up the fragments of their lives and move on.
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For others, it may be having a Blackberry without any signal.Īll these concerns plague a host of ghosts that Bertram Pincus (Ricky Gervais) is suddenly able to see after experiencing his own temporary demise during a medical procedure. When Pincus dies unexpectedly but is miraculously revived seven minutes later, he wakes up to find that he now has the annoying ability to see ghosts.Despite the depiction of devils with horns and pitchforks, have you ever wondered what “hell” would be for you? For those who believe in an afterlife, it may be “living” with the regrets of unfinished business and unresolved issues. Continues into end credits.īertram Pincus is a man whose interpersonal skills leave much to be desired. Timestamp: 1:33 | Scene: Frank realises that he's been saved. Timestamp: 1:27 | Scene: Plays at Gwen's mummy exhibition as Bertram talks to her about ghosts. Pincus rushes to the exhibition to see Gwen. Timestamp: 1:26 | Scene: Gwen gets ready for the exhibition as Frank watches her. "Which Way Your Heart Will Go" by Mason Jennings He arrives at work to find the ghosts in the waiting room. Bertram looks out the window of his apartment. Timestamp: 1:18 | Scene: Bertram sits on the bench alone in the park and is hit by hail. He styles his hair ready for his meeting with Gwen. He's bought a new shirt which he tries on the mirror. Bertram arrives home to Frank complaining.
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Pincus fits Gwen into his diary to look at the mummy. A lady plays this music on her violin as Bertram evades them. Timestamp: 0:15 | Scene: Bertram runs through the park chased by the ghosts. Timestamp: 0:07 | Scene: Bertram sneaks out of the office as his colleagues celebrate the birth of the baby. "I'm Still In Love (W/You)" by Dusty Wright Bertram (Ricky Gervais) works on a patient. Opening credits inside a dentist's office. Timestamp: 0:03 | Scene: After Frank (Greg Kinnear) his killed by a bus he realises he's a ghost.